Jasmijn Visser

12 years left; 2 degrees; half earth. The future is rendering.

Little Brother is an infinite countdown clock. 

special thanks to Trang Ha and Kunsthalle Amsterdam.



Little Brother

The work draws its title from a personal tale. Ruth, the artists’ grandmother, earned her livelihood producing mechanisms for industrial clocks in the Burk factory in the Black Forest. There she drilled holes in gears for over three decades. An infamous protagonist in the Burk factory was known as The Stopper. Once a month, he would monitor the workers’ productivity and efficiency, one at a time. On a small stool, he sat by Ruth, and audited her production and assembly pace, stopping the time with the finishing of each tiny element. Careful not to work either faster or slower than usual, she would work on the mechanics in complete synchronicity with The Stopper. With this act a tiny universe was created: The Stopper stopping time in the time production factory.

In an era marked by efficiency protocols, digitisation, and decreasing attention spans, Jasmijn Visser’s work The Stopper pays tribute to mechanics and manual labor. The Stopper is a website that renders visible the universal notion of the violence within the act of stopping.

A project by Jasmijn Visser in collaboration with Jungki Beak, designed by S†ëfan Schäfer, programming by Daniel Farr, and commissioned by Kunsthalle Amsterdam in co-production with the Moscow Biennial For Young Art. A subsequent edition of The Stopper was be shown at Song Eun Project Space in Seoul September 2018, in collaboration with Delfina Foundation.



The Stopper II

We are proud to present [a series of 5 videos](/brody-condon) by artist [Brody Condon](/brody-condon), recorded in 2014. 

The Berlin based artist (b. Mexico 1974) often facilitates and documents game-like group encounters that experientially probe dissociative phenomena. His work is best known for its early influence on re-purposing computer games and LARP techniques ([Wikipedia](https://en.wikipedia.org/wiki/Brody_Condon)).

Condon's work has been widely exhibited internationally, and been acquired by public collections such as the Stedelijk Museum Amsterdam, Los Angeles County Museum of Art, Albright-Knox Gallery, and the Kadist Foundation.

The 5 video works are each available in an edition of [3 non-fungible Ethereum tokens](https://left.gallery/work/evp-amie). These tokens are progressively priced: respectively 0.5, 1.0, and 2.0 ether, and sold on a [first-come, first-served basis](https://left.gallery/work/possession-janet) (no auction).

We like to thank our friends at [Folia](https://www.folia.app/) and Alberto Granzotto for their support.

Possessed High-Poly NFTs

Read our co-founder Harm van den Dorpel's text [Tokenizing Sustainability](https://harm.work/news/tokenizing-sustainability) about his position on NFTs and the direction left gallery is taking.

Harm van den Dorpel on NFTs

sphendrikx

Marc bijl

Harm van den Dorpel

anonymous

12 years left; 2 degrees; half earth. The future is rendering.
Little Brother is an infinite countdown clock. 
special thanks to Trang Ha and Kunsthalle Amsterdam.

Little Brother .live

acquire

info